By Vexen Crabtree 2007 Dec 05 | Read / Write Comments
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Since Satanists cover the total spectrum of economic and professional achievement, unless someone is sporting a Sigil of Baphomet medallion, or wearing the Baphomet lapel pin signifying an official representative, you really cannot pin down a Satanist by appearance and behaviour alone. [...] They eat what they please, dress as they please, and generally follow whatever lifestyle suits them best.”
"Satanism: The Feared Religion"
In "The Satanic Scriptures"
High Priest Peter Gilmore (1992)2
Fashion tastes help identify the public face of religious adherents, but also work sometimes as negative stereotypes. How do Satanic fashions of dress result from, or influence, adherents and the general public?
The High Priest of the Church of Satan, Peter Gilmore, explains that Satanists are free to "eat what they please, dress as they please, and generally follow whatever lifestyle suits them best"2. The mass media and popluar culture portray Satanists as wearing certain clothes. In Rosemary's Baby the Satanic society wore expensive business suits and typical high-society attire, yet the gothic suicidal teens alluded to in popular culture seem the complete opposite.
It is worth examining some of the dress styles popularly found amongst Satanists. There are many valid objections to the systematic categorization of people's apperance, but what follows are what I think to be four pertinent Satanic stereotypes:
Despite the disclaimers, a disproportionate quantity of Satanists wear black, and this warrants some investigation and explanation.
Sociologists have studied the effects of "colour bias" on peoples' judgements of behaviour. Thomas Gilovich reports:
“A particularly interesting example of how our expectations can influence what we see involves people's negative associations to the color black and how they can influence the perceived aggressiveness of someone wearing black clothing. The "bad guys" have worn black hats since the invention of motion pictures, and psychological research has shown that film directors who employ this tactic are capitalizing on a very basic psychological phenomenon: Surveys conducted in a wide range of cultures reveal that black is seen as the colour of evil and death in virtually all corners of the world.
This negative association leads to several interesting results in the domain of professional sports. When my colleague Mark Frank and I asked a group of respondents to rate the appearance of professional football and hockey uniforms, they judged those that were at least half black to be the most "bad," "mean," and "aggressive" looking. These perceptions influence, in turn, how specific actions performed by black-uniformed teams are viewed. We showed groups of trained referees one of two videotapes of the same aggressive play in a football scrimmage, one with the aggressive team wearing white and one with it wearing black. The referees who saw the black-uniformed version rated the play as much more aggressive and more deserving of a penalty than those who saw the white-uniformed version. The referees "saw" what this common negative association led them to expect to see. As a result of this bias, it is not surprising to learn that teams that wear black uniforms in these two sports have been penalized significantly more than average during the last two decades.”
"How We Know What Isn't So: The Fallibility of Human Reason in Everyday Life"
Thomas Gilovich (1991)3
The cycle that develops is called a self-fulfilling prophecy. This is how it could happen. People have various different 'favourite colours' and ways of dressing, and some tend to wear black. As popular culture associates this with some negative traits, then, subconsciously, such people are treated slightly differently, as we have seen above in the sociological studies of black-clad sports teams. As a result of this slightly different treatment, the individual comes to behave differently. Part of their self-identity may come to include their being different. This pattern does not occur for other dress senses, because, other styles do not have the negative connotations of the colour black. Therefore the person may well solidify and exaggerate the black clothes they wear. The cycle continues and as they are increasingly separated from popular culture, others will assume they are into occult, secretive and countercultural activities. This stereotyping leads the person (perhaps even this occurs without external prompting) to actually be curious about such things. Ergo, you get a gradual stream of such dark dressing individuals that come to Satanism. Estimating from personal experience, one quarter of all Satanists arrive at their combination of religion and fashion sense through this particular cycle.
Are all goths Satanists? Definately not. Most goths are not religious. I know Christian goths and pagan goths; I once went to a service in central London that specifically caters for goth Christians, where I talked to two Christian priests who were both goths. In conclusion, goths can be of any religion but are mostly unreligious.
Black is not only a colour of the bad guys in films, it has other associations. It is a colour of sombreness, of seriousness and professionalism, of peace, serility, depth and simplicity. Black is the philosophical colour. If you wish to think deep, or to mourn the hopelessness of the masses of humanity, then you might find yourself drawn to a particular shade, and I predict that blue jeans and football t-shirts will not reflect the thoughtfulness inside, nor the will to power than manifests from the realisation that humanity could be so much better and closer to the truth than it is!
Crabtree, Vexen.
"Goth People" (1999). Accessed 2007 Dec 05.
Gilmore, Peter
"The Satanic Scriptures" (2007 Hardback). A collection of texts by the High Priest of the Church of Satan (as of 2001+). Published by Scapegoat Publishing, USA.
Gilovich, Thomas
"How We Know What Isn't So: The Fallibility of Human Reason in Everyday Life" (1991). 1993 paperback edition published by The Free Press, NY, USA.
LaVey, Anton (1930-1997)
"The Satanic Bible" (1969). Published by Avon Books Inc, New York, USA. Anton LaVey founded the Church of Satan in 1966.